Oscar Wilde (1854–1900): Life and Career
Birth and Family
Born on 16 October 1854 in Dublin, Ireland.
Father: Sir William Wilde, a well-known surgeon and writer on folklore.
Mother: Lady Jane Francesca Wilde, a nationalist poet and supporter of Irish independence, writing under the name Speranza.
Education
Attended Trinity College, Dublin, where he excelled in classics and won the Berkeley Gold Medal for Greek.
Continued at Magdalen College, Oxford (1874–78), where he became known for his wit, style, and devotion to the Aesthetic Movement ("art for art’s sake").
Won the Newdigate Prize (1878) for his poem Ravenna.
Career and Literary Works
Moved to London, gaining fame as a wit, dandy, and lecturer on aesthetics.
Published his only novel, The Picture of Dorian Gray (1891), a work that explored beauty, morality, and decadence.
Achieved his greatest success with society comedies, including:
Lady Windermere’s Fan (1892)
A Woman of No Importance (1893)
An Ideal Husband (1895)
The Importance of Being Earnest (1895), his masterpiece.
Also wrote fairy tales (The Happy Prince and Other Tales, 1888), essays (Intentions, 1891), and poems.
Personal Life and Downfall
Married Constance Lloyd in 1884; they had two sons.
Known for his flamboyant lifestyle and homosexual relationships, especially with Lord Alfred Douglas ("Bosie").
In 1895, sued Douglas’s father, the Marquess of Queensberry, for libel—but the trial turned against Wilde.
Convicted of “gross indecency” (homosexual acts) and sentenced to two years’ hard labor (1895–97).
Prison experiences inspired his prose work De Profundis (a long letter to Bosie) and The Ballad of Reading Gaol (1898).
Later Life and Death
After release in 1897, lived in exile in France under the name Sebastian Melmoth.
Died on 30 November 1900 in Paris, aged 46, from meningitis, in poverty and disgrace.
Buried in Père Lachaise Cemetery, Paris.
Today Wilde is celebrated as one of the greatest playwrights of the 1890s, a master of wit, and a martyr of freedom of expression and individuality.
The Age in Which Wilde Lived:
Victorian Age (1837–1901): Marked by industrial progress, empire-building, strict morality, and social conventions.
The Aesthetic Movement (1870s–1890s): Wilde was its leading figure, promoting “Art for Art’s sake” against utilitarian views of art.
The Fin de Siècle (end of the 19th century): A cultural mood of decadence, pessimism, and questioning of morality—Wilde’s works reflect this.
He also overlapped with the Decadent Movement in Europe, influenced by French writers like Baudelaire and Huysmans
The phrase “Naughty Nineties” is often used to describe the 1890s in England — the very decade in which Oscar Wilde’s greatest works appeared and his downfall happened.
Why it’s called the Naughty Nineties
The decade had a double character:
Outwardly, Victorian society still preached strict morality, family values, and respectability.
But underneath, it was a period of decadence, aestheticism, and rebellion against those moral codes.
Artists, writers, and fashionable society figures began to challenge Victorian prudery with new ideas about art, beauty, sexuality, and pleasure.
The Aesthetic Movement and Decadent Movement flourished in this era, with Wilde as a central figure.
Major Writers of the Naughty Nineties (Decadents & Aesthetes)
Walter Horatio Pater (1839–1894)
An Oxford don and essayist, he was the philosopher of Aestheticism.
Famous for his book Studies in the History of the Renaissance (1873).
Advocated the idea of “art for art’s sake” and living intensely in the moment.
Greatly influenced Wilde and other Decadent writers.
J. A. Symonds (1840–1893)
Critic, poet, and biographer.
Wrote on the Renaissance and sexuality (including early works sympathetic to homosexuality).
His writings prepared the ground for Wilde and the “decadent” mood of the 1890s.
Oscar Wilde (1854–1900)
The central literary figure of the Naughty Nineties.
His witty plays (The Importance of Being Earnest, An Ideal Husband), novel (The Picture of Dorian Gray), and essays embodied the spirit of aestheticism, wit, and social satire.
His trial and downfall became symbolic of the age’s contradictions.
John Davidson (1857–1909)
A Scottish poet and playwright.
Associated with the Decadent movement and the Yellow Book circle.
Wrote Fleet Street Eclogues (1893) and other poems blending modern life with a decadent mood.
So there are actually two streams in the 1890s:
Mainstream “Naughty Nineties” Writers (Shaw, Kipling, Hardy, Housman, etc.)
Decadent / Aesthetic Writers (the “real Naughty Nineties” group) → Pater, Symonds, Wilde, Davidson, Beardsley, Symons, Dowson
Meaning of Decadence
The word literally means decline, decay, or moral/cultural deterioration.
In literature and art, Decadence refers to a late 19th-century European movement that celebrated beauty, artifice, and sensuality, often rejecting traditional morality and social norms.
It was linked with the “fin de siècle” mood (end of the century) — a feeling of weariness, pessimism, and fascination with excess.
Features of Decadence in Literature
Art for Art’s Sake → Beauty and style valued more than moral lessons.
Artificial over Natural → Preference for sophistication, ornament, and refinement over simplicity.
Sensuality & Eroticism → Exploration of pleasure, sexuality, and taboo themes.
Pessimism & Fatalism → A sense of decline, ennui (boredom), and fascination with death.
Exotic & Unusual → Love for rare, strange, or “morbid” subjects, often drawn from French Symbolism.
Meaning of Decadence
The word literally means decline, decay, or moral/cultural deterioration.
In literature and art, Decadence refers to a late 19th-century European movement that celebrated beauty, artifice, and sensuality, often rejecting traditional morality and social norms.
It was linked with the “fin de siècle” mood (end of the century) — a feeling of weariness, pessimism, and fascination with excess.
Features of Decadence in Literature
Art for Art’s Sake → Beauty and style valued more than moral lessons.
Artificial over Natural → Preference for sophistication, ornament, and refinement over simplicity.
Sensuality & Eroticism → Exploration of pleasure, sexuality, and taboo themes.
Pessimism & Fatalism → A sense of decline, ennui (boredom), and fascination with death.
Exotic & Unusual → Love for rare, strange, or “morbid” subjects, often drawn from French Symbolism.